My essay was one of four in the book 'Karen Bennicke : Spatial Destabilisation', an extensive monograph with many photographs of the Danish artist Bennicke's work through more than four decades of her exploratory, inventive and pioneering career hand building a huge range of abstract ceramic forms. The other authors were Lars Dybdahl, Anne-Louise Sommer, and Lisbeth Bond. The book was published by Strandberg Publishing in Copenhagen in two versions, Danish and English,in 2016.