1 | The Raw and the Manufactured: Brazilian Modernity and National Identity as Projected in International Exhibitions (1862–1922) | 534 | 461 |
2 | Designing the state at Brazil’s Independence Centennial International Exhibition | 156 | |
3 | Of Coffee, Nature and Exclusion: Designing Brazilian National Identity at International Exhibitions 1867 & 1904 | 151 | 46 |
4 | Manufacturing the raw in design pageantries: the commodification and gendering of Brazilian tropical nature at the 1867 Exposition Universelle | 141 | 88 |
5 | The Artifice of Nature and the Naturalisation of the State at the 1922 Rio de Janeiro International Exhibition | 137 | |
6 | Beyond natural beauty, bounty and national boundaries: actualising the debate on the “Brazilian Contemporary” in art, architecture and design | 92 | 126 |