Blackshaw, Gemma ORCID: https://orcid.org/0000-0003-2723-490X, 2014, Book Section, Dead Men and their Naked Truths The Nakeds. Drawing Room, Manchester, pp. 13-31. ISBN 9780955829987
Abstract or Description: | A single-authored essay for the book which accompanied the exhibition The Nakeds (Drawing Room, London, 2014; De la Warr Pavilion, 2015), which drew attention to contemporary female artists' transformation of the modernist tradition of explicit figurative drawing, and interest in the pornographic gaze. Including excerpts from interviews with Fiona Banner, Tracey Emin, Chantal Joffe, Nicola Tyson and Georgina Starr, the essay established new knowledge on their influences, drawing practices, and reparative methods, especially in relation to working with found pornographic material. |
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Official URL: | https://www.cornerhousepublications.org/publicatio... |
Subjects: | Creative Arts and Design > W900 Others in Creative Arts and Design > W990 Creative Arts and Design not elsewhere classified |
School or Centre: | Research & Innovation School of Arts & Humanities |
Funders: | The University of Plymouth |
Date Deposited: | 05 Feb 2021 17:26 |
Last Modified: | 08 Mar 2021 18:51 |
URI: | https://rca-9.eprints-hosting.org/id/eprint/4722 |
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